Over the half term break we've been asked to think about portraiture. I am a bit gutless when it comes to portrait photography; I have hundreds of pictures of my cat batting her eyes at me and not much else. I looked around for some inspiration and came across some interesting photographs:
I love the gritty location and the cloned subject - need to learn more about Photoshop before I attempt this but I've all sorts of ideas and locations whirring around my head...
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'Portraying Kate Moss, a study in conversation' - Corinne Day |
I love the honesty of these shots. It doesn't matter to me that it was Kate Moss, who Corinne had famously photographed as a child for
The Face (1990) - it could have been anyone and been just as intriguing. Corinne sadly passed away last August aged just 48. Her work is incredible;
take a look.
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Picaso by Cory Smith - Orlando based specialist in creative portraiture and military photojournalism |
Little bit in love with this - the light, the composition, the idea... just need some willing models... preferably a couple or this would just be weird!
Last and definitely not least, I'm fascinated by model turned photographer Ellen Von Unwerth's work - it's a tad risqué (some of it is
very risqué) but the shock factor is a huge part of what makes your eyes stick to her photographs. They're graphic and gritty but they're absolutely beautiful too. Here are a few of my favourites:
Raaaa! Food for thought...
2 comments:
Love the blog, I draw a lot of inspiration when it comes to portraiture from Gordon Parks - he took some stunning shots of Mohammed Ali and also a fantastic exhibition called 'Black America' (about 17 years ago at The Photographers Gallery in London) Which I just thought was incredible. All in B&W which added so much to the pictures.
Julian Skyrme pointed me in your direction, I like your work.
Take care
Alex
Thanks Alex. I looked up Gordon Parks - amazing stuff, really love this one: http://farm3.static.flickr.com/2086/2681638772_6e3475f58d.jpg
It's amazing how taking something away (in this case, colour) can add so much to a shot...
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