Sunday 27 November 2011

Project theme: Frames in conversation

After weeks of agonising over different themes, I have finally opted for a portraiture-based theme to try to challenge myself and face my irrational fear of working with models.

'Frames in conversation' will be a study in natural reportage portraiture. I've never been fond of posed photographs.

Statement of intent (DRAFT)

Candidate name: Kate Aldridge

Title of the theme: Frames in conversation

Intentions/purpose of the photography to be undertaken
To produce a series of ten images each consisting of nine individual photographs of each subject engaged in conversation. I will ask each of my volunteers to tell me about an event, person or occurrence that made them feel a strong emotion; any emotion at all. I will take a series of photographs to capture both when they are speaking and pauses of thought in between.

Reasons for selection of theme (including inspiration from the work of others)
I wanted to choose a portraiture as one of my themes to really challenge myself in an area of photography I have very little experience of. I have been inspired by Corinne Day's work; Corinne took a series of natural photographs of her subject - Kate Moss - mid-conversation. Her challenge was to present a fresh portrait of one of the world's most photographed faces.

Corinne Day - a study in conversation 

Most people would immediately delete photographs where eyes are shot or a sudden movement has blurred the shot but this is exactly what I'm hoping to capture with this project.

The photo imaging equipment and medium that will be used and why
I plan to use a 50mm prime lens to take the photographs. I will set up a tripod and remote shutter release to minimise the presence of the equipment and allow me to take the shots without hiding behind the camera myself. I will set the camera to manual focus and allow plenty of space around the subject when framing the shot in case they move around - the shots will be edited and compiled in Photoshop CS5.

Techniques that will be used and how they will help convey the visual message
I will produce the images in black and white. My reason for doing this - and I suspect this was the same for Corinne Day - is to remove all distractions and to increase the focus on the subject. I aim to produce a 'stripped back' feel to the images and black and white adds something quite dramatic to the reportage style I am aiming to emulate.

How light quality can be used to help convey the visual message
Light quality will depend on the location of each series of photographs. Where possible I will position my subject indoors, next to a window, to cast light onto one side of their face. I will set up the shot against a light, neutral background, again to reduce distractions from the subject.

Safety considerations
I will ensure my subjects are in a safe environment. Where possible I will photograph them in their own homes, my home or my office. Where I need to conduct a shoot in public, I will seek the necessary authorisation and permissions before proceeding and ensure there are no safety risks in the vicinity of the photoshoot.
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So, I now need to find 10 models... who's up for it?! Pretty please!

Colour me happy

This week's theme is colour. I'm a big fan of colour photography. I've been known to whinge at friends and family for obsessing over black and white shots and leaving their digital cameras on mono mode for weeks on end. I just don't get it. 

Don't get me wrong, I love a good black and white shot and one of my projects is going to be shot in mono, but with good reason... anyway, more about that later...

Here are some of my favourite photographs - old and new - which just wouldn't be the same without such fantastic splashes of colour...

India - I have never been surrounded by so much colour; just beautiful, everywhere you look

Indian saris; every single one is a work of art

I love the effect the flash has on this leaf

Double sunflower 
  
Stunning pink poppies in Paris shot with a very shallow depth of field, adding a fluffy softness to their petals

Colour is the heart and soul of a macaron; they have to look as amazing as they taste!

Red telephone boxes on Durham marketplace

Tuesday 22 November 2011

Balancing act


Experimenting with white balance in class this week... I used my 50mm prime lens to photograph a simple plastic cup on a pale grey desk at f/1.8 on aperture priority (ISO 200).

Oddly, my auto white balance (AWB) produces a desaturated image; almost black and white:

AWB
I then toggled the white balance presets to see what effect this had on the image:

Daylight
Shade  
Cloudy
Tungsten light
Fluorescent light
Flash
Custom

Bearing in mind the harsh fluorescent lighting in our classroom, it's strange that the most realistic capture (in my eyes) was taken with my (usually horrible) on-camera flash. The tungsten light setting creates a very 'cool' image and the fluorescent setting creates a similar effect to AWB.

Monday 14 November 2011

Where we live... epic fail

So this week's theme is where we live. I live in Cheadle near Manchester.

It is somewhat ironic, given that this week we could just mooch around at home to fulfil our assignment, that I am away with work for a couple of weeks. So, I have had to take some photographs of my temporary home instead... perhaps you can guess where I am?













Monday 7 November 2011

Fireworks fail

So this week we were supposed to shoot fireworks but I spent the weekend in that London and whilst the rest of the city gazed at fireworks we were enjoying Live at the Chapel near-wetting ourselves at David O'Doherty - if you've never seen him watch this (disclaimer: this has absolutely nothing to do with photography):


So instead of fireworks I am uploading some long exposures I took earlier this year... not using sparklers but using a little torch and some street lights... sorry Dave, mega-fail!








Tuesday 1 November 2011

Panoramic photography

We had a play around in class this week - panoramic photography and using stitching AKA photomerge in Photoshop. Here are the results:

The college canteen - taken with my super wide angle Sigma 10-20mm lens which has distorted the image resulting in a fisheye effect f/9 1/16 sec ISO 1600
Corrected using the transform > warp tool in Photoshop to flatten the bench

The funky lights in the library which change colour every few seconds - I didn't think this would work but it recognises  the shapes enough to merge the photographs despite the changing colours f/9 1/64 sec ISO 1600

Edited using the S-curve in Photoshop

Expanded using the warp tool and content-aware fill tools and edited saturation levels